Soapbox: 15 Things Wrong With The Matrix We All Choose To Ignore

Matrix-Wrong-Header
Don’t worry: the first one is STILL awesome (the sequels? Not so much)

When The Matrix arrived in cinemas back in 1999, it blew audiences away with its unique blend of martial arts spectacle, high-brow philosophizing, and dazzling visual effects. Indeed, the film influenced the action genre for years to come, with subsequent filmmakers trying (and failing) to emulate the Hong Kong cinema/Japanese anime vibe of its stylized fight choreography.

Admittedly, series creators The Wachowskis themselves struggled to deliver a satisfying follow-up to their initial outing, with both The Matrix Reloaded and The Matrix Revolutions receiving a tepid response from viewers and critics alike. Nonetheless, the story of digital messiah Neo and fellow freedom fighters Trinity and Morpheus remains popular with fans who still admire the franchise’s pioneering “bullet time” aesthetic and rich, underlying subtext.

Yet even The Matrix’s devoted followers – those who consider the first Matrix a masterpiece and its sequels underrated gems – probably realize that there’s plenty wrong with all three flicks. That’s right, even the original movie has quite a few things that either don’t quite stack up or flat-out make no sense. So what doesn’t add up?

Here are 15 Things Wrong With The Matrix Trilogy We All Choose To Ignore.

The post was written exclusively for Screen Rant – click here to read the full article

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Soapbox: 15 Things Wrong With The Matrix We All Choose To Ignore

Review: Memento

Momento
He doesn’t exactly take “happy snaps”

It’s funny to think of a time when nobody had heard of Christopher Nolan.

Yet only 15 years ago, the director behind The Dark Knight Trilogy, Inception, Interstellar and The Prestige was – with only one low budget, little seen feature to his name – hardly a major player in Hollywood.

All that changed with Nolan’s second outing, Memento, a dizzyingly fragmented take on the noir thriller genre, released this month back in 2001.

Continue reading “Review: Memento”

Review: Memento