Soapbox: 15 Things You Completely Missed In Kingsman: The Secret Service

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Colin Firth headlining an action-comedy spy movie: this is something that ACTUALLY happened…

When Kingsman: The Secret Service roared into cinemas back in 2014, it quickly won audiences over with its hyper-kinetic, gleefully irreverent take on the spy movie genre.

Directed by Matthew Vaughn and loosely based on the comic book series by Mark Millar and Dave Gibbons, the film proved a box office smash, raking in $414.4 million off the back of a modest $80 million budget.

As such, it came as no surprise when 20th Century Fox announced that a sequel, Kingsman: The Golden Circle, was in the works for a 2017 release date. Arriving on 22 September, the follow-up – which continues the story of delinquent turned secret agent Eggsy – looks set to be even bigger than its predecessor.

Given the anticipation surrounding the Golden Circle, there’s no better time to revisit the original entry in the Kingsman franchise. This is especially the case as – despite its enthusiastically over-the-top style – the movie is actually layered with plenty of easy to overlook details.

To make life easier for you, we’ve used our own espionage and infiltration skills to compile this list of 15 Things You Completely Missed In Kingsman: The Secret Service. So read on, and remember: Manners Maketh Man!

This post was written exclusively for Screen Rant – click here to read the full article

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Soapbox: 15 Things You Completely Missed In Kingsman: The Secret Service

Anatomy Lesson: At Midnight All the Agents…

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Thank heavens for tastefully positioned dressing gowns…

Chances are if you’ve only ever read one comic book in your life, it will have been Watchmen.

Created by writer Alan Moore and artist Dave Gibbons and published by DC Comics, Watchmen is frequently held out as one of the finest examples of the medium’s potential, and its psychologically nuanced take on superheroes in the “real” world continues to make it accessible to comics newbies and die-hard fans alike.

For better or worse, the book – along with The Dark Knight Returns by Frank Miller, Klaus Janson and Lynn Varley – has defined the face of “capes and tights” comics for the next 30 years, which serves as a pretty solid indication of just how influential it was (and still is).

Something that often comes up when discussing Watchmen is how cinematic it feels, and certainly, an argument could be made that it is to comics what Citizen Kane is to cinema.

As with that film, Moore and Gibbons haven’t simply invented new storytelling tricks (although they certainly do plenty of that), but also brought numerous existing techniques together to build one cohesive story, the end result of which is nothing short of dazzling.

And yet, as much as Watchmen shows us how similar comics can be to film, it was also designed – as Moore himself noted – to highlight the ways the two differ, and to showcase what comics can do that movies simply can’t.

A perfect example of this can be seen in the opening sequence of the book’s first chapter, “At Midnight All The Agents…”, which forms the basis for this month’s Anatomy Lesson feature.

Continue reading “Anatomy Lesson: At Midnight All the Agents…”

Anatomy Lesson: At Midnight All the Agents…