Soapbox: 9 Canceled Sequels That Would’ve Been Terrible (And 6 That Would’ve Been Great)

Two very different types of tough guy, who nearly starred in two very different types of sequel!

Movie history is filled with examples of high-profile projects that never made it to the big screen – including unmade sequels to your some of your favorite films. Unfortunately, while getting a sequel off the ground for a critically acclaimed outing or blockbuster hit seems like it would be a no-brainer, thanks to the many logistical and political forces at play in Hollywood, that’s not true.

Although this has cost audiences the opportunity to enjoy promising follow-up entries to a number of popular franchises, it’s also spared them from pretty severe disappointment, too. For every brilliantly conceived sequel that fails to materialize, an even greater number are pitched that are at best ill-advised and at worst flat-out unnecessary. Indeed, several of these dubious continuations wouldn’t have merely been destined to fall flat at the box office – they risked damaging the legacy of the beloved movies that came before them.

Still, there’s something inherently fascinating about these unseen films – whether they looked set to be a masterpiece or a trainwreck – that comes from wondering what might have been. With this in mind, we’ve taken stock of the biggest unmade sequels out there, pulling together this list of 9 Canceled Sequels That Would’ve Been Terrible (And 6 That Would’ve Been Great).

The post was written exclusively for Screen Rant – click here to read the full article

Soapbox: 9 Canceled Sequels That Would’ve Been Terrible (And 6 That Would’ve Been Great)

Review: Super 8

“Super 8″?! But there are only five of ’em! Ohhhh, it’s a reference to film stock…

I’ve written before about how all directors have their trademarks – creative calling cards that let you know you’re watching a Scorsese movie as opposed to a Tarantino flick, for example.

I’ve also bashed out more than a few hundred words on the trademark that defines J.J. Abrams body of work.

No, I’m not talking about lens flares, but rather his tendency to largely recreate the films he loves, rather than use that inspiration to create something new (for evidence of this, look no further than The Force Awakens).

Yet when it came time to take a look back at Super 8 – released this month five years ago – what struck me was how, even though the film does indeed owe a huge debt to the films of Steven Spielberg, it still works as a stand alone effort, telling a unique and personal story all its own.

This is visible in every strand of Super 8‘s DNA, from its semi-autobiographical narrative that looks back at what it was like for Abrams growing up a movie-obsessed kid making his own short films, through to its nostalgia-tinged sensibilities, which allow it to serve as a love letter from that same kid to the films of the late 70s and 80s that influenced his eventual blockbuster career.

Continue reading “Review: Super 8”

Review: Super 8