Five Minutes With…Guy Hendrix Dyas (Part 1)

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Guy collaborating with director Terry Gilliam on the set of The Brothers Grimm

Ever watched a movie or TV show and thought to yourself: “Damn, this sure looks pretty”?

I’m willing to bet that you have, and the person you should be thanking for those stunning visuals is the production designer (or PD, for short).

PDs look after the overall look of a film or TV show, working alongside the director and producer to choose the settings and develop the style needed to tell the story visually.

Needless to say, they are a major creative force on any production, as the work of this month’s Five Minutes With… Q&A participant, Guy Hendrix Dyas, makes abundantly clear.

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Five Minutes With…Guy Hendrix Dyas (Part 1)

Review: X-Men: Apocalypse

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When not trying to conquer the world, Apocalypse enjoys taking part in local theatre productions

To say that the timeline of the X-Men film franchise makes no sense is to make an understatement on par with describing the theory of evolution as “pretty complicated”.

Quite frankly, when director Bryan Singer tinkered with the series’ continuity in 2014’s X-Men: Days of Future Past as part of an effort to smooth out any inconsistencies that had cropped up across the previous five movies (not to mention correct several perceived missteps made in X-Men: The Last Stand), he actually made things a lot worse.

A direct offshoot of this is that X-Men: Apocalypse, the latest film featuring Marvel’s Merry Mutants, spins a tale that seems completely at odds with the previous films it’s intended to bridge together – and sadly this isn’t even the major problem for flick that arrives overstuffed with characters and spectacle and light on actual emotional heft.

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Review: X-Men: Apocalypse