Imagine a musical where nobody sings – sounds impossible, right? Well, I guess that means Edgar Wright has achieved the impossible, as his latest outing, Baby Driver, is exactly that.

In typically stylish fashion, the director has crafted a high-octane car chase flick built entirely around a killer soundtrack – a sing-along affair, just without the actual sing-along part.

The end result is a fresh, funny and kinetic romp of a film, that is unlike any blockbuster film you’ve seen in years.

Continue reading “Review: Baby Driver” →