Within the Star Wars universe, the Jedi and Sith are renowned for the fantastic abilities granted to them by mystical energies of the Force. This level of reverence is so great, that virtually anyone with Force powers is treated with outrageous amounts of awe by those without, as if all Force sensitive beings were capable of the same legendary feats. The actual reality is that, while many Jedi Knights and Sith Lords are indeed breathtakingly powerful, as with any profession, there are also plenty who are actually pretty mediocre – in some cases, almost embarrassingly so.
Yes, you get heavy hitters like Master Yoda who can lift entire X-Wings off the ground with only their mind, but there are also quite a few also-rans who are barely able to levitate a pebble, so weak is their connection to the Force. As these less capable guys and gals rarely take centre stage in your typical adventure set in a galaxy far, far away (and rightly so), many of them tend to go unnoticed by your casual fan – but no more!
Read on as we comb through the entire Star Wars canon – as well as the non-canon pre-Disney era expanded universe (the stories from which are now labelled “Legends”) – in order to shine a spotlight on the 15 Weakest Force Users In The Star Wars Universe.
Doctor Who Series 10 is now well under way, and yet rather than focussing on the mystery at the heart of this newest story arc – and seriously, what is the Doctor guarding in that vault? – many fans seem more fixated on who will take over from current series lead Peter Capaldi when he departs the show in December.
As even the most casual Doctor Who fan will already know, one of the key conceits of the show is that our hero is a Time Lord, an alien capable of “regenerating” after sustaining a mortal injury – a convenient plot device that allows a new actor to take on the role of the Doctor when the current star decides they want to call it quits.
With Capaldi and showrunner Steven Moffat set exit when the credits roll on the 2017 Christmas Special, there has been a huge amount of speculation – and, inevitably, equal amounts of excitement and outrage – at the prospect that incoming series mastermind Chris Chibnall will make history by casting the first ever female Doctor.
This year marks the 15th anniversary of The Wire – creator David Simon’s blistering HBO crime drama widely (and rightly) regarded as one of the greatest TV shows of all time.
So much more than a mere police procedural or gangland soap opera, The Wire almost defies classification, continually growing in geographical, psychological and thematic scope, ultimately offering up a highly nuanced and well-realised discussion on – and indictment of – American society and its institutions.
It’s actually this dizzying level of complexity that has, to date, kept me from writing anything about the show, despite it being my all-time favourite TV drama – frankly, I’m just not sure I’m smart enough to do it justice.
Still, it seems criminal (sorry…) to let this milestone pass without making any comment, especially given how ripe The Wire is for analysis, so for this month’s Anatomy Lessonpost, we’re going to take a look at the series finale, “–30–”, which provided the perfect send off to five of the most brilliant seasons to ever grace the small screen.
Today sees the launch of a new recurring feature here at The Pop Culture Studio, Here’s Looking At You – articles which focus on pop culture creators well-known and obscure, beloved and (in some cases) reviled.
In this first instalment (and in honour of Black History Month in the US), we’re going to take a look at the late, great Dwayne McDuffie, who was a trailblazer not only as an African American comic book and TV scribe, but also as someone who increased the visibility of minority characters across both mediums as well.