Movie history is filled with examples of high-profile projects that never made it to the big screen – including unmade sequels to your some of your favorite films. Unfortunately, while getting a sequel off the ground for a critically acclaimed outing or blockbuster hit seems like it would be a no-brainer, thanks to the many logistical and political forces at play in Hollywood, that’s not true.
Although this has cost audiences the opportunity to enjoy promising follow-up entries to a number of popular franchises, it’s also spared them from pretty severe disappointment, too. For every brilliantly conceived sequel that fails to materialize, an even greater number are pitched that are at best ill-advised and at worst flat-out unnecessary. Indeed, several of these dubious continuations wouldn’t have merely been destined to fall flat at the box office – they risked damaging the legacy of the beloved movies that came before them.
Still, there’s something inherently fascinating about these unseen films – whether they looked set to be a masterpiece or a trainwreck – that comes from wondering what might have been. With this in mind, we’ve taken stock of the biggest unmade sequels out there, pulling together this list of 9 Canceled Sequels That Would’ve Been Terrible (And 6 That Would’ve Been Great).
Everybody loves a movie tough guy or gal – powerful characters with a reputation for being able to win virtually any fight. Yet a surprising number of these iconic fighters have actually lost almost as many battles as they’ve won (at least based on what we see on screen).
Of course, a large part of this is down to the way that films work. In order for a story to be compelling, our heroes need to struggle – and even occasionally lose! – despite their incredible martial prowess. Similarly, in most instances, villains need to be defeated before the credits roll – which means that they are predestined to be second best, no matter how many times they’ve beaten the hero throughout the story.
That’s why most movie powerhouses earn their street cred by mowing down unfortunate redshirts, only to end up on the wrong end of a brutal beatdown when faced by an opponent at least as skilled as they are: because they’re really only as good at fighting as the story needs them to be at any given moment.
But even taking into account the mechanics of storytelling, you’d be amazed by just how patchy the win-loss record for some of cinema’s most well-known heavy hitters really is.
Don’t believe us? Then check out this list of 15 ‘Tough’ Movie Characters Who Always Get Defeated – we promise you: you won’t believe who made the cut!
Given comics is a largely serialized medium, it’s not surprising that its history is filled with brilliant – and not-so-brilliant! – plot twists. After all, what better way to entice readers to read the next chapter than with an earth-shattering last page cliffhanger that leaves them thinking “How are they ever gonna resolve this?!”
There’s also few things more rewarding as a fan than seeing a meticulously crafted – and cleverly hidden – plot twist come to fruition. It’s the thrill of being surprised, combined with the satisfaction of knowing that the writer involved has played fair by providing ample little hints in the lead up to the big reveal.
Of course, some comic book plot twists are better executed than others. Indeed, more than a few have fallen flat, often because they either made no sense, or actively damaged decades worth of stories that proceeded them.
In instances like these, it sometimes seems like the twist was designed more from a shock value point of view, rather than as a payoff designed to enrich past and future adventures. Still, regardless of whether a major comic book reveal was outstanding or underwhelming, they’re almost always memorable.
With this in mind, we’ve taken a look back at 20 of comic’s biggest narrative surprises, in order to round up this list of the 10 Best (And 10 Worst) Comic Book Plot Twists of all time.
It’s Easter this weekend, which means that most of us will have eggs on the brain.
Whilst the average punter will probably be hoping for conventional chocolate eggs in their Easter bonnet on Sunday morning, fans of film, TV, books and comics could be forgiven for having their sights set on slightly more…fantastical fare.
With this in mind, I’ve pulled together a list of the five greatest eggs across all of pop culture, to help fuel these (inevitably unfulfilled) Easter-related desires!
By now, we’ve all had a chance to see Logan, and it’s safe to say that for most fans and critics, the film serves as a great send-off for Hugh Jackman as he hangs up his claws after over decade and a half in the role.
There are several reasons for Logan’s success – including its smaller, more relatable scale and tighter focus on a small cast of characters – but without doubt a key reason why this Wolverine swansong soars is because it stands largely apart from the wider X-Men franchise.
Sure, it has links to earlier films in the series, but it also tends to gloss over (or even flat-out ignore) any aspects of the established canon that don’t fit with the story director James Mangold wants to tell, and in doing so, it reminds us that when it comes to storytelling versus continuity, the former is always more important than the latter.
To say that the timeline of the X-Men film franchise makes no sense is to make an understatement on par with describing the theory of evolution as “pretty complicated”.
Quite frankly, when director Bryan Singer tinkered with the series’ continuity in 2014’s X-Men: Days of Future Past as part of an effort to smooth out any inconsistencies that had cropped up across the previous five movies (not to mention correct several perceived missteps made in X-Men: The Last Stand), he actually made things a lot worse.
A direct offshoot of this is that X-Men: Apocalypse, the latest film featuring Marvel’s Merry Mutants, spins a tale that seems completely at odds with the previous films it’s intended to bridge together – and sadly this isn’t even the major problem for flick that arrives overstuffed with characters and spectacle and light on actual emotional heft.