Soapbox: 15 Things The Unseen Justice League TV Pilot Got Wrong

Justice-League_TV-Pilot
Network TV in the ’90s: it was a simpler time…

You’d be hard pressed to find a comics or cinema fan not aware of the highly anticipated Justice League film due this November. What many of these fans might not know is that this is actually the second attempt at adapting DC Comics premiere super team – with the feature-length pilot for a CBS Justice League of America TV series pre-dating it by a whole decade!

The reason why most people are oblivious when it comes to the Justice League pilot is simple: it never aired in the United States (although it did see the light of day on some international networks). The rationale behind the CBS executives’ decision to bury the pilot is even simpler: it’s… uh, not very good (like, at all).

Granted, superhero fans today are spoiled when it comes to big budget adaptations of their favorite characters on the big and small screens, but even so – the Justice League pilot is an especially lackluster affair, even by ‘90s network TV standards.

From costume shop-quality costumes through to its bizarre, quasi-mockumentary format (seriously!), it’s almost as if the creative team involved were trying to tick every box on the “awful comic book TV show” checklist.

Whilst the storytelling and technical faux paus on display in this 86 minute atrocity border on limitless, we’ve rounded up the most egregious missteps here in this list of the 15 Things The Justice League TV Pilot Got Wrong.

This post was written exclusively for Screen Rant – click here to read the full article

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Soapbox: 15 Things The Unseen Justice League TV Pilot Got Wrong

Soapbox: 15 Supervillain Plots That Make Absolutely No Sense

Goldfinger
Bond DEFINITELY questioned the logic of Goldfinger’s latest plan…

Everyone loves a larger-than-life supervillain plot. With good reason, too – after all, our favourite action-adventure franchises couldn’t function without the outlandish schemes of a bad guy trying to take over (or destroy!) the world. Think about it: where would James Bond be without the wicked designs of a cackling mastermind to foil? And yet, for every fiendishly ingenious plan that makes you marvel at the brilliance of the mind behind it, there’s at least as many out there that make no sense whatsoever.

There’s several reasons why a supervillain’s plot can fail to add-up. Maybe it’s the case that the plot in question is poorly thought out and won’t achieve the villain’s stated goals. Perhaps it’s a scenario where that old killjoy, real-world science, makes the successful execution of a plot impossible, at least as stated. Or it could be that the plan isn’t laid-out very clearly, making it hard to follow how and why it will work.

Whatever the reason may be, the end result is a nefarious scheme that leaves fans scratching their heads and asking, “Wait, what’s going on here?” In recognition of moments such as these, here’s a rundown of 15 Supervillain Plots That Make Absolutely No Sense.

This post was written exclusively for Screen Rant – click here to read the full article

Soapbox: 15 Supervillain Plots That Make Absolutely No Sense

Crystal Ball: Super Spies, Killer Doctors And More – 10 Comics That NEED To Be Made Into TV Shows

100-Bullets
Because we can all agree we need MORE comics-related TV shows, right?

I think we can all agree there’s never been a better time to be a fan of comics and TV, given the sheer number of small screen adaptations featuring our favourite characters and stories on offer.

Still, you can never have too much of a good thing, so with that in mind, here’s 10 more comics network executives should definitely consider drawing upon for their next big budget TV show!

Continue reading “Crystal Ball: Super Spies, Killer Doctors And More – 10 Comics That NEED To Be Made Into TV Shows”

Crystal Ball: Super Spies, Killer Doctors And More – 10 Comics That NEED To Be Made Into TV Shows

Soapbox: Logan reminds us that great stories are more important than continuity

Logan
Logan doesn’t care about much, and that includes continuity

By now, we’ve all had a chance to see Logan, and it’s safe to say that for most fans and critics, the film serves as a great send-off for Hugh Jackman as he hangs up his claws after over decade and a half in the role.

There are several reasons for Logan’s success – including its smaller, more relatable scale and tighter focus on a small cast of characters – but without doubt a key reason why this Wolverine swansong soars is because it stands largely apart from the wider X-Men franchise.

Sure, it has links to earlier films in the series, but it also tends to gloss over (or even flat-out ignore) any aspects of the established canon that don’t fit with the story director James Mangold wants to tell, and in doing so, it reminds us that when it comes to storytelling versus continuity, the former is always more important than the latter.

Continue reading “Soapbox: Logan reminds us that great stories are more important than continuity”

Soapbox: Logan reminds us that great stories are more important than continuity

Soapbox: Suicide Squad – How not every movie is for you and why critics aren’t the bad guys

SuicideSquad_Joker
This is pretty much what defensive fans looked like when the reviews rolled in…

We recently crossed the halfway mark for September, which means that for many people, Suicide Squad is well and truly old news.

However, thanks to the IT issues that brought The Pop Culture Studio shuddering to halt for most of last month, I still haven’t had my say on that movie and the furore that surrounded it – and believe me, I have PLENTY to share.

Continue reading “Soapbox: Suicide Squad – How not every movie is for you and why critics aren’t the bad guys”

Soapbox: Suicide Squad – How not every movie is for you and why critics aren’t the bad guys