In the world of comic books, sometimes having superpowers just isn’t enough. At times like these, superheroes and villains alike have to turn to superweapons to get the job done.
Interestingly, many of these superweapons are rarely (if ever) used to their true capacity. Sure, these crazy-powerful pieces of hardware have been responsible for saving the day or wreaking untold havoc cross the multiverses, but those pulling the trigger could have achieved so much more if they’d really let loose properly.
With that in mind, here’s a round-up of the 15 Comic Book Superweapons Never Used To Their Full Potential.
A lot has been written about what a surprise hit Guardians of the Galaxy was when it landed back in 2014, but it bears repeating: Marvel Studios really did accomplish the unthinkable in making a big budget film about an obscure superhero team – which including talking raccoons and trees, no less! – into one of the most critically and commercially successful blockbusters of that year.
Fast forward three years and the inevitable follow-up, Guardians of the Galaxy Vol.2, has finally arrived to considerable anticipation. In promoting the film, returning director James Gunn promised fans something different, but in reality, this second go-round doesn’t really diverge too much from the formula laid down by its predecessor.
But then, when that formula produces such fun end results, does anyone really care if Vol.2 simply offers more of the same?
It’s Easter this weekend, which means that most of us will have eggs on the brain.
Whilst the average punter will probably be hoping for conventional chocolate eggs in their Easter bonnet on Sunday morning, fans of film, TV, books and comics could be forgiven for having their sights set on slightly more…fantastical fare.
With this in mind, I’ve pulled together a list of the five greatest eggs across all of pop culture, to help fuel these (inevitably unfulfilled) Easter-related desires!
By now, we’ve all had a chance to see Logan, and it’s safe to say that for most fans and critics, the film serves as a great send-off for Hugh Jackman as he hangs up his claws after over decade and a half in the role.
There are several reasons for Logan’s success – including its smaller, more relatable scale and tighter focus on a small cast of characters – but without doubt a key reason why this Wolverine swansong soars is because it stands largely apart from the wider X-Men franchise.
Sure, it has links to earlier films in the series, but it also tends to gloss over (or even flat-out ignore) any aspects of the established canon that don’t fit with the story director James Mangold wants to tell, and in doing so, it reminds us that when it comes to storytelling versus continuity, the former is always more important than the latter.
Once again, we’re going to return to the world of comics, this time to highlight the brilliance of Fiona Staples, a phenomenal artist who has broken through the “boys club” culture of the industry in order to rise to the very top of her field.
Today sees the launch of a new recurring feature here at The Pop Culture Studio, Here’s Looking At You – articles which focus on pop culture creators well-known and obscure, beloved and (in some cases) reviled.
In this first instalment (and in honour of Black History Month in the US), we’re going to take a look at the late, great Dwayne McDuffie, who was a trailblazer not only as an African American comic book and TV scribe, but also as someone who increased the visibility of minority characters across both mediums as well.